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Unsourced material may be challenged and removed. Main article: Crystallization love. Main article: Stendhal syndrome. Biography portal.

Stendhal: The Red and the Black. Retrieved Pronny the pronouncer. The Illustrious Dead: The Terrifying Story of How Typhus Killed Napoleon's Greatest Army.

Three Rivers Press CA. David April Napoleonic Scholarship: The Journal of the International Napoleonic Society. Retrieved July 22, New Left Review Cambridge University Press.

The Living Eye. Translated by Arthur Goldhammer. Harvard University Press. Memoirs of an Egotist. Translated by Ellis, David.

Napoleonic Friendship: Military Fraternity, Intimacy, and Sexuality in Nineteenth-Century France. UPNE, , p. The Boundaries of Realism in World Literature.

Lanham, Boulder, New York, London: Lexington Books. Pragmatic plagiarism: authorship, profit, and power.

University of Toronto Press. If the plagiarisms of Stendhal are legion, many are virtually translations: that is, cross-border plagiarism.

Maurevert reports that Goethe, commenting enthusiastically on Stendhal's Rome, Naples et Florence , notes in a letter to a friend: 'he knows very well how to use what one reports to him, and, above all, he knows well how to appropriate foreign works.

He translates passages from my Italian Journey and claims to have heard the anecdote recounted by a marchesina. In other words, by isolating his personal contribution, one arrives at the conclusion that the work, far from being a cento, is highly structured such that even the borrowed parts finally melt into a whole a l'allure bien stendhalienne.

Les plagiats de Stendhal. Stendhal: "The Red and the Black" and "The Charterhouse of Parma". Twilight of the Idols and The Antichrist. Dover, , p.

How Fiction Works. The London Review of Books. Retrieved July 24, Mimesis: The Representation of Reality in Western Literature. Princeton, NJ: Princeton University Press.

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Hallo liebes single. He eventually returned to Paris and witnessed the withdrawal of the Empress Marie-Louise and the young King of Rome. With the final fall of Napoleon came the time to decide one's future.

While Stendhal had ample opportunity to accept a high post under the new government, he refused to live in a France that was intent on returning to the life before the Revolution and Napoleon.

In he moved to Milan, where he would stay until Very quickly he began to develop what would become the base of his love of Napoleon, namely that while Napoleon certainly had his faults he was so much better than what came after him.

The restoration left Stendhal, and his characters, longing for the Emperor and his past glories. Indeed, Stendhal's work is filled with examples of characters who admire Napoleon from the vantage point of the future rather than that of contemporaries.

Stendhal truly came of age during his Napoleonic adventures. From the brash, self-centered, irresponsible youth that the Darus took under their wing, he became a far more somber and responsible character capable of understanding the meaning of all he experienced.

Stendhal experienced and observed much of what was both good and bad during the Napoleonic Era. He saw the workings of the empire from a very high vantage point, and was impressed by the desire to appoint people based on merit though he received his own appointments on a somewhat different basis.

He experienced the glory of the army, as well as the horrors of war. Through it all, he developed an understanding of the total dominance of Napoleon over his age, and understood both the faults and advantages of that dominance.

Stendhal in by Dedreux-Dorcy. That Stendhal's later characters are dominated by the memory of Napoleon is, then, hardly a surprise.

Whatever his faults, Napoleon led France and Stendhal through a great adventure. In the aftermath of Napoleon's fall, Stendhal witnessed how many elements of French society turned on the memory of the Emperor.

He witnessed the sad and repulsive way Napoleon was exiled to the remote rock called St. Helena in Stendhal's eyes, at least , and he was horrified by it.

The rejection of the memory of Napoleon may well have seemed to Stendhal as a rejection of his own life's experiences.

This sense of rejection, not all that uncommon among supporters of the Emperor, must surely have strengthened both his feelings toward Napoleon and his desire to defend the memory of Napoleon's, and his, epoch.

The reason for the feelings he held toward Napoleon may best be found in the opening lines of his A Life of Napoleon: "I am writing this Life of Napoleon to refute a slander.

The refutation, in the form of Stendhal's literary work, stands as some of the finest writing to come out of the Napoleonic experience.

This paper first appeared in Selected Papers of the Twenty-Fourth Consortium on Revolutionary Europe March , Consortium on Revolutionary Europe.

Jean Stewart and B. Knight Chicago, , 8. In her comment to Steve Golin's paper "Stendhal: The Novelist as Revolutionary," in Robert Holtman ed.

The Consortium on Revolutionary Europe Proceedings 45 Athens, Ga. This paper, sixteen years later, will attempt to provide that Stendhal. See Matthew Josephson, Stendhal, or The Pursuit of Happiness Garden City, , , and Gita May, Stendhal and the Age of Napoleon New York, , Josephson, M.

For another good description of work under Pierre, see Robert Alter's In collaboration with Carol Cosman A Lion for Love: A Critical Biography of Stendhal Cambridge, Stendhal to Pauline, Milan, 29 June , To the Happy Few: Selected Letters of Stendhal, trans.

Norman Cameron John Lehmann, ; London, , Stendhal's letters make for some of his best writing. London, , This bulletin was signed Berthier, who was nominal commander in chief, but believed written by the First Consul himself.

Margaret R. Shaw London, , Josephson, May, The Private Diaries of Stendhal, ed. Robert Sage New York, , 7. Stendhal started writing a journal in , and continued his effort throughout his Napoleonic career.

They provide, of course, some of the best insights into his life, and the priorities he established while at various stages of his career.

Unfortunately, there are almost no journal entries for the period of his Moscow experience. They are presumed lost during the difficult withdrawal from Russia.

Lengthy leaves of absence were not all that uncommon in the French army of the time. Napoleon himself had extensive leaves when he was a lieutenant.

Indeed, he came very close to suffering serious reprimand. Like Stendhal, however, Napoleon had influential friends and an ability to convince higher-ups of the appropriateness of his actions.

A Life of Napoleon, Roland Grant, trans. London: , To the Happy Few, Diaries, See Howard Clewes, Stendhal: An Introduction to the Novelist London, , Josephson , and May Josephson, , and Wallace Fowlie, Stendhal, London, , Entry for 14 March , Diaries, Ich liebe es zu reisen und einzukaufen und Leute zu treffen.

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